It was Thursday afternoon and
Alfred was sitting in his study smoking a Special Reserve Churchill Cigar and
reading an article by the English 19th Century journalist C. E.
Montague, “Anything that a competent artist loves well enough he can make
lovable to any good reader.”[i]
Alfred was thinking to himself, “It
seems that some ‘artists’ just want to make a buck, like Pablo Picasso paying
for his laundry by whipping off a sketch to pay his tab” when Mother came
bustling into the room with a catalogue in her hand.
“Alfred,” said Mother, “look at
these Karastan rugs. Aren’t they just
beautiful?”
“Well, truth be told,” said Alfred,
“which it seldom is, they are pretty in their own way, but that Canterbury Rug
that you seem smitten with can’t really be compared with a Kirman, or a
Bakhtiari.”
“I know, Alfred, I know, but as you
said they are quite pretty, and look at the price. The advertisement says that
they are made of New Zealand Sheep Wool.”
“Think of the poor sheep” said
Alfred. “I wonder what sheep on the thousand hills of New Zealand make of life? Do they know that they are wet and cold when
they are grazing in the rain? Do they
know their beginning and their end? What
do they make of things at shearing time?
Do you remember our New Zealand
vacation a few years ago when we stopped along the road at Tapharanui? We watched a little lamb gamboling across the
field, leaping for joy, when suddenly he stopped to look for his mother.
Finding her he butted her udder with his head as he worked lustily away at
getting a little nourishment.”
“Oh, I remember,
Alfred,” said Mother, “One ewe was walking along the road crying with loud
cries, looking for her little lamb, but a passing farmer stopped to tell us
that the lamb had died. The ewe was obviously
bereft.”
“Yes,” said Alfred. “Other ewes
with a lamb or two, not three, roamed across the meadow, stopping to graze or
nurse their young. I wonder what is the
link between instinct and consciousness?
What do sheep feel? What do sheep
make of life? Among all the animals only
we ask questions like that.”
“Alfred!” said Mother, “You think
too much! All I wanted to show you was
the rugs in this catalogue. This
Canterbury rug is quite lovely, or perhaps even this Ashara Agra Black. It would go quite nicely in your study.”
Alfred looked at the catalogue and
considered the rug in question, then said, “You know, that would look rather
fine.”
“Alfred,” said Mother, “not
everything we purchase needs to be authentic!
The idea of you accidently dropping your cigar ashes on a Bakhtiari is
just too much to contemplate.”
“Mother,” said Alfred, “I am glad
to hear you say that; after all quality and cost are not always equated. Go
ahead and order the Ashara, I will quite enjoy it.”
[i] C. E. Monatague, “To True
to be Good”, A Writer’s Notes on His Trade, (London: Chatto and Windus, 1930),
p. 139.
“Know
that the LORD, he is God! It is he who made us, and we are his; we are his
people, and the sheep of his pasture” (Psalm 100:3).
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